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premiere: Nina Keith – In The Woods We Both Saw It, Weren’t Dreaming

MARANASATI 19111

We're psyched to premiere this stunning new track from Philly contemporary classical composer Nina Keith, taken from her forthcoming debut full-length MARANASATI 19111, a profoundly reflective and beautiful album that "delves deeply into the memory networks of childhood...

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Lisel x gorilla vs. bear takeover: Devra Freelander videos for Angels on the Slope

DEVRA FREELANDER

I worked very intimately with visual artist Devra Freelander on a series of videos for this “Angels on the Slope”. Primarily a sculptor, Devra worked with photographer Gregory Wikstrom to create video of her sculptures using changing light colors and sources...

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Lisel x gorilla vs. bear takeover: Meredith Monk – Atlas

atlas 1

I recently took part in the Los Angeles Philharmonic’s production of Meredith Monk’s opera “Atlas.” It’s an ensemble piece, kind of about the majesty of the earth and our connectedness as humans, with implications for climate change and the uncertain future...

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Lisel x gorilla vs. bear takeover: Alex Da Corte

alex da corte 1

I saw Alex Da Corte’s “Eastern Sports" at the Massachusetts Museum of Contemporary Art (Mass MoCA) in 2016, it completely blew me open — the imagery, the message, the maximal-ness, meticulousness, imagination. Here are some stills from the piece. -- Lisel

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Lisel x gorilla vs. bear takeover: Daniel Wohl – “Parallel”

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Daniel is a composer and electronic artist and a close friend. He wrote a piece for me last year for voice, electronics, and string quartet, where the electronics and backing tracks for the piece are built almost entirely out of recordings of me improvising. Here are excerpts from demos we made of two of the movements while we were working on the piece -- Lisel

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Lisel x gorilla vs. bear takeover: Guillaume Dufay – “Kyrie” from Missa L’Homme Armé

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One of my favorite “Kyrie” movements in a Renaissance mass from the late 15th century. I love the open Renaissance harmonies in this piece, the feeling of blending your voice in tightly woven small choral pieces, feeling the way the lines move with or against each other...

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