TOPS

TOPS start a new record label + share two new songs
Montreal's TOPS announce the launch of their brand new label Musique TOPS with the release of a sweet new double A-side 7", featuring the beautifully tender love song "Echo of Dawn" and the infectious groove of self-described "imposter syndrome anthem" "Seven Minutes. L…
video premiere: TOPS – Topless
Montreal's TOPS finally grace us with a video for the album-closer + one of our favorite tracks from their amazing 2017 record Sugar at the Gate -- only 2 years after release! -- to commemorate their their North American tour that starts next month (including a stop at the Mohawk in Austin on M…
GORILLA VS. BEAR’S ALBUMS OF 2017
As the internet's collective attention span continues to dwindle away and the clickbait economy slowly ruins everything good, we made a conscious effort this year to spend more time listening to fewer things. Discovering new favorites will always remain a priority around here, but it felt good to de…
TOPS share “Further” video
TOPS' Sugar At the Gate highlight gets a lovely video, directed by the group's own Jane Penny, and starring Ellise Barbara, Riley Fleck + Jackson MacIntosh:
stream TOPS' Sugar at the Gate
Our album of the summer is here: Montreal's TOPS drop their best full-length yet, a timeless collection of breezy, instantly familiar pop jams (see "Petals", "Cutlass Cruiser"), intoxicating slow-burners that only reveal their true magic after you've earned it with your time and …
TOPS – Further
Hear another gem from TOPS' resplendent Sugar at the Gate, finally out next week on Arbutus:
TOPS share new single “Dayglow Bimbo”
In an insane year of new music (SO FAR), TOPS' Sugar at the Gate remains near the very top of the list of our favorite records of the year. Today, the group shares another single from the album, the gorgeous, soaring, awesomely titled and wonderfully shoegaze-y "Dayglow Bimbo"…
video: TOPS – Petals
TOPS share the Jane Penny-directed video for the first single from our favorite record of 2017 (so far duh), Sugar at the Gate:

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