I remember in High School, like many stoned suburban teenagers across America, trying out the mythical magical synthesis of Pink Floyd’s Dark Side Of The Moon and the Wizard Of Oz. It was alright. ...If you sync up experimental filmmaker Stan Brakhage’s gorgeous Mothlight with pretty much any moody instrumental music -- I’m thinking the Dirty Three, Locrian, or classical music like Chopin -- then you’re in for a sensory treat. -- Marissa Nadler