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video premiere: Ejecta – Eleanor Lye (NSFW)

EJECTA PREMIERE

Ejecta's twinkling, heartbreaking "Eleanor Lye", taken from one of the best debuts of last year, gets a rather intense and beautiful video, in which we witness the stark, emotional (re)birth of our fearless heroine...

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Joel Ford – Connection to

JOEL FORD CONNECTION TO

Here's the heady, very cinematic, retro-futuristic synth-jammer / debut-single-under-his-born-name from Joel Ford -- who you know from his various other brilliant projects, Ford & Lopatin, Airbird, and Ejecta -- out today on Ford's own Driftless Recordings:

Ejecta mix for SSENSE

EJECTA MIX

premiere: Ejecta – It’s Only Love

EJECTA

We've established by now that we're in love with Ejecta's debut album Dominae, and new single "It's Only Love" is our current favorite track from the LP. A little more upbeat & optimistic (or possibly just more resigned) than the other stuff that's been unveiled, but with the same tinge of longing, sadness, and regret that makes the record such an emotional/heartbreaking listen...

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Ejecta – “Afraid of the Dark”

EJECTA DOMINAE

Here's another romantic, glowing song from Leanne Macomber + Joel Ford's Ejecta, taken from the duo's beautiful forthcoming Dominae LP, out in November on Driftless. Grab the heartbreaking "Afraid of the Dark" single now on iTunes, and pre-order the Dominae 12" here...

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Ejecta – Jeremiah (The Denier)

EJECTA

Here's the stellar first single from Joel Ford + Leanne Macomber's new collab project Ejecta, taken from their forthcoming debut LP, out this fall on Driftless Recordings. Check the glistening "futuristic Balearic synth-pop" jam "Jeremiah (the Denier)" below, and grab it here...

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Driftless Recordings

DRIFTLESS LOGO

Introducing Driftless Recordings, the new label from Joel Ford (Airbird, Ford & Lopatin). The label says:"Driftless Recordings is a record label by Joel Ford and Patrick McDermott. The roster is diverse: from Megafortress' intimate chamber pop to the monolithic slabs of beautiful noise of McDermott's North Americans project to Bruce Smear's fractured beat-work, it's less about tracing sonic similarities, and more about taking each project as a patchwork view of everyday life, through each artist's idiosyncratic, often psychedelic vision...

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